Hsien Min is the founding editor of QLRS, and the author of Iambus (1994), The Enclosure of Love (2001) and Means to an End (2008). His work has also been published in the likes of Atlanta Review, London Magazine, the London Review of Books and Oxford Poets 2013. Hsien Min is a former President of the Oxford University Poetry Society, where he ran his first journal.

• Criticism : Candle to the Sun
• Criticism : Long-Distance Writing
• Criticism : Access Denied
• Criticism : Other Fish To Fry
• Criticism : An Eye on the Eight-ball
• Criticism : Indecent Exposure
• Criticism : But Some Are More Free Than Others
• Criticism : Weeping for the Old Kind World
• Criticism : Overgrown American pastoral landscapes
• Criticism : In The Observation Ward
• Criticism : Sky In A Hundred Puddles
• Criticism : Aging Gunn has a few bullets left
• Criticism : A Veritable Chop Suey
• Criticism : The Beautiful and the Damned
• Criticism : The Emperor's New Book
• Criticism : All So Familiar, It Could Be Home
• Editorial : On enjoying being outside
• Editorial : On essaying a change
• Editorial : On the social contract
• Editorial : Getting the car back on the road
• Editorial : Electioneering
• Editorial : Green with Envy
• Editorial : We're Fine, I Suppose, Possibly
• Editorial : What does not change is the will to change
• Editorial : Something's Gotta Give
• Editorial : Remembering Arthur Yap
• Editorial : On a very taxing situation
• Editorial : On right responses
• Editorial : Do we need another journal?
• Editorial : Everybody's looking forward to a recovery
• Editorial : Stand up and be counted
• Editorial : Home and Away
• Editorial : On accommodation and accommodations
• Editorial : On the intersections of engagement
• Editorial : On looking forward and backward
• Editorial : On the principles upon which this journal has been built
• Editorial : On the control of information
• Editorial : On sites of cultural interchange
• Editorial : On the honourable thing
• Editorial : On being content with technology
• Editorial : Two Days in Paris
• Editorial : On the exercise of perspective on empathy
• Editorial : On grassroots efforts
• Editorial : On Sachlichkeit
• Editorial : On our disappearing food culture
• Editorial : On being reviewed
• Editorial : On tribal instincts
• Editorial : Going around the block
• Editorial : On Pyrrhic victories
• Editorial : On neuroplasticity
• Editorial : On the emperor of all maladies
• Editorial : On an unexpected loss
• Editorial : On a significant milestone
• Editorial : Lumikenttien kutsu
• Editorial : Oxygen for soroche
• Editorial : Horum omnium fortissimi
• Editorial : Per aspera ad astra
• Editorial : Any colour as long as it's black
• Editorial : Sakoku
• Editorial : Chope!
• Editorial : A point of view and a rationale
• Editorial : Fight to the Finish
• Editorial : On the end of an era
• Editorial : On new surroundings
• Editorial : On slicing cake
• Editorial : On the curse of the drinking classes
• Editorial : On the symbiosis of culture and landscape
• Editorial : On an island getaway
• Editorial : On arriving by bicycle
• Editorial : On unintended outcomes
• Editorial : On having too many Jabulanis in the air
• Editorial : Long Day's Journey Into Flight
• Editorial : On more tendrils of literary development
• Editorial : On competency with heart
• Editorial : All Things Not Equal
• Editorial : On microclimates of diversity
• Editorial : On cream coconut parking
• Editorial : On affinity
• Editorial : Time off just like that
• Editorial : Age is just a number
• Essays : Ham and Eard: Ideas of Home
• Essays : Drink Deep, Or Taste Not The Pierian Spring
• Extra Media : Random Lovers
• Extra Media : Film Noir Korea
• Interviews : Never Forgetting The Source
• Interviews : Wilfred Owen meets Hokkien peng
• Interviews : Between the get-well cards and the pantyhose
• Interviews : Mammon and the Discipline of Writing
• Interviews : The Illusionist's Dream
• Short Stories : Night Tour (Part III)
• The Acid Tongue : The American Mirage
• The Acid Tongue : Review the review
• The Acid Tongue : Craig Raine rains on Derek Walcott's parade
• The Acid Tongue : A.A. Gill Forgets

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